Bunt mas i inne pisma socjologiczne. Front Cover. José Ortega y Gasset. Państwowe Wydawnictwo Naukowe, – pages. Title, Bunt mas. Author, José Ortega y Gasset. Translated by, Piotr Niklewicz. Publisher, Muza, ISBN, , Length, pages. Title, Bunt mas. Author, José Ortega y Gasset. Publisher, Muza, ISBN, , Length, pages. Export Citation, BiBTeX.

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Log In Sign Up. Gadamer, Estetyka i hermeneutyka, op. Amazon Business Service for business customers. Skip to main content. This section needs additional citations for verification. At the same time this is not the truth we oetega with in modern science; it is not a question of so-called objective truth or about reaching a specific unappealable meaning.

Contemporary art is no longer a continuation of the tradition. Dehumanised art, according to Ortega y Gasset, also meant the flight of artists from forms reflecting life. Science Logic and Mathematics.

José Ortega y Gasset – Wikipedia

Request removal from index. According to the Spanish thinker, the crisis of the entire contemporary culture, and art in particular, was inextricably linked to the condition of European societies in the late nineteenth and early twentieth century.

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University of Missouri Press,p. Introduction In ogtega an attempt at philosophical reflections on contemporary art today, it is impossible to ignore the changes that took place in human artistic activity in the late nineteenth and early twentieth centuries in Europe.


The first, inis by a translator who wanted to remain anonymous, [16] generally accepted to be Ortegga. The basis of this radical social effect of art in the first decades of the twentieth century was, first and foremost, the break with tradition.

José Ortega y Gasset

Ortega y Gasset identified this aesthetic object of the new art with a metaphoric object. From tohe continued his studies in Germany at LeipzigNurembergCologneBerlin and, above all Marburg. Edit this record Mark as duplicate Export citation Find it on Scholar Request removal from index Translate to english Revision history.

The end of traditional art irrevocably closed a certain chapter in the history of human artistic activity, but it also opened completely new horizons.

Bunt mas i inne pisma socjologiczne by José Ortega y Gasset

Copyright Renewals, January — June. Stanford Encyclopedia of Philosophy. Msa if it seems today that we are familiar with the shape of the new art, interpreting it evidently remains a challenge for us.

The new art, in his view, was antipopular by definition: Ortega y Gasset, Dehumanizacja sztuki, in: An extremely difficult task lay before the artist: Art invites us, in his view, to join an intellectual game of exploring dehumanised forms, beneath the surface of which there is no longer any room for the truth about the real world.


At that time, the status of the artist changed, art changed, and the viewer changed as well. Festival of Art or Crisis of Art? This article has no associated abstract.

See our Returns Policy. Visit our Help Pages. The opening of the interpretative horizon of art took place along with its autonomisation, implemented by Immanuel Kant, and today the horizon seems to be continuously expanding. De Mensch en de Techniek. The Revolt of the Masses. Related topics Democratic capitalism Liberal bias in academia. Amazon Music Stream millions of songs.

For Ortega y Gasset, as for Husserl, the Cartesian ‘ cogito ergo sum ‘ is insufficient to explain reality. Sign in Create an account.

Bunt mas i inne pisma socjologiczne

But could art on such a basis preserve any cognitive value? Agsset, Prawda i metoda. Contact with new art has become special time, but also time that the viewer spends on his own.